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Akashic
Equipment List
Following is a list of equipment and instruments
available to our clients.
DAW´s
- ProTools HD3 in dual 867 G4, (2) 192 I/O Interfaces (32 input/output) with Antelope Audio Isochrone Digital Clock, Digidesign MIDI I/O, Digidesign Mbox on G4 imac
Plug In´s
- MDW High-Res Parametric EQ by Massenburg Design Works
- Oxford EQ by Sony
- H949 Harmonizer by Eventide
- MC2000 by McDSP
- FilterBank by McDSP
- Renaissance Compressor by Waves
- Renaissance Equalizer by Waves
- Renaissance Reverberator by Waves
- SoundBlender by Wave Mechanics
- Speed by Wave Mechanics
- Amp Farm by Line6
- Aural Exciter by Aphex
- Big Bottom Pro by Aphex
- Drawmer Dynamics by Aphex
Mastering System
- Sonic Solutions Sonic Studio with Sony CDU920S CD
Recorder for Pre-Master CD production and Exabyte 8505
8mm tape drive for 24 bit archives
Converters and Digital Clock
- JCF Mark II 8 channel ADC 192kHz 24 bit, Antelope Audio Isochrone Digital Clock with "atomic clock reference" (rubidium oscillator), Benchmark DAC 192kHz 24 bit (with usb), Apogee PSX-100 96kHz 24bit AD/DA, (3) Frontier Tango 8 channel 24 bit AD/DA converters.
Mixing Consoles
- Custom built console designed by Jim Williams, Audio
Upgrades. 64 input. Frequency response = 2-200,000 Hz.
Custom 16x4 mixer (upgraded by Grace Design); -3dB @
97KHz, Roland M240 24 channel, Peavey 701R
(upgraded)
Automation & Synchronization
- Niche 24 channel resistor array automation system
(upgraded), TimeLine MicroLynx, Mark of the Unicorn
Digital TimePiece.
Audio Recorders
- Sony/MCI JH-24 2: 24 track (upgraded by Jim Williams,
Audio Upgrades), Sony /MCI JH-110C 1/4" 2-track (upgraded
by Jim Williams, Audio Upgrades), Adat XT-20, Fostex B16M
1/2" 16 track, Dolby C (upgraded by Grace Design) with
Fostex 4050 Autolocator, Sony TCD-3 DAT, Fostex Model 20
(1/4" 2-track, center track time code), Sony PCM 501
w/Apogee update, NEC 8000U MkII, Akai GX-9, Sony
TC-WR99ES
Microphones
- AMS Soundfield ST-250, (3) David Royer Tube Kit Mics (large diaphragm cardiod condensor similar to U67, U47), Sanken CU41, Schoeps CMC 6-U, (2) AKG 414, (3) AKG 418, (5) Tape Op Panasonic capsule mics (small diaphragm condensor similar to Earthworks), Reslo Ribbon Mic, Fostex Printed Ribbon, ATM 63 (4), ATM 21, ATM 33R (2), ATM 91, Countryman (5), Sony ECM 150 (2), Shure Beta 58, SM57, SM58, (2) Sennheiser 421, (2) EV N/D 468, EV N/D 868, EV 676, EV 666, EV 636 SlimAir, Oktava MK319, AKG D-112, many more upon specific request
Outboard Mic Preamps
- Custom Jeff Rowland Design Group 2 channel; very fast, very quiet, no negative feedback, Universal Audio LA-610, Vintech X73i; recreation of Neve 1073 with mic/line in, selectable impedance, 24 channels of Audio Upgrades Design preamps onboard console, 4 channels custom SSM2017 preamp (Mike Grace, Jim Williams), Symmetrix SX202, many more upon specific request
Musical Instruments
- Steinway "A" Grand Piano vintage 1895 with Gilbransen
KS-20 MIDI adapter with poly-pressure aftertouch,
Akai MPC 2000XL Midi Production Center 32 MB RAM digital spdif I/O, 8 analog out, Roland VP-9000 Variphrase Sampler w/ 6 voices, 136MB RAM,
Emulator E4-K w/128 voices, 128 MB RAM, 16 digital
outputs, extensive sample library, 4 GB Hard disk,
CD-ROM, Hammond M-3 with Leslie 18, Ensoniq EPS w/ 2Mg RAM and
SCSI, 8-out expander, Oberheim XPANDER analog synthesizer, Korg WAVESTATION
SR, Emu Proteus, Kawai PHm, Sequential Circuits 610 analog synthesizer,
Alesis HR-16, Alesis SR-16
Other MIDI Equipment
- Digidesign MIDI I/O, Opcode Studio 4, Mark of the Unicorn MIDI Time Piece
(256 MIDI channels), Opcode Studio Plus Two, CM Automation MotorMix
Peavey PC 1600 MIDI Fader Controller,Yamaha DTXpress Electronic Drum Kit, Yamaha WX5 Wind MIDI Controller, Yamaha WX7 Wind MIDI Controller, Simmons TMI 8 drum-trigger interface,
JLCooper FaderMaster 8 MIDI parameter real time
controller, Yamaha Pad5 drum pad triggers
Reverb/FX units
- Lexicon 300, Eventide H-3000SE with Mod Factory,
Lexicon LXP-1 (upgraded by Audio Upgrades)(2), Lexicon
LXP-5 (upgraded by Audio Upgrades), Yamaha Rev 7, ART
SGE, Alesis Midiverb II, Alesis Microverb II, Lexicon PCM
42, EcoPlate I, EcoPlate II (with low noise upgrades and
custom tube output section), Coupled Space Reverb
Chamber
Dynamic Processing
- Tube Tech CL 1B tube compressor, Universal Audio 1176, Universal Audio LA-610 (LA-2A with 610 mic pre for front end), Empirical Labs Distressor EL8-X (with British Mode, etc.), dbx 160, dbx 118, dbx 180, dbx 224, Drawmer M-500 Dynamics Processor, (2) Aphex Expressor, Aphex Domiator II, Ashley 2 ch. compressor/limiter (upgraded), Audio Logic 660 dual compressor/limiter+gate (upgraded), Alesis MicroGate, dbx 263X de-esser
Frequency and Phase Processing
- Sontec MEP-250EX Parametric Equalizer (Developed from technology developed by Burgess MacNeal and George Massenburg), Amek Medici "The Equaliser" (Rupert Neve), Universal Audio LA-610 (2 bands of EQ), Vintech X73i; recreation of Neve 1073 with mic/line in, selectable impedance, Sherman Filter Bank, Rane 1/3 octave EQ (2), Alesis Micro EQ (2), BBE Sonic Maximizer (upgraded), Aphex Aural Exciter (upgraded), Stromberg Carlson 2-channel tube preamp/EQ (upgraded)
Guitar Amps
- Matchless DC-30, Fender Twin Reverb, Epiphone "Dwight" Pacemaker
Other Outboard Equipment
- Sherman Filterbank, (3) SansAmp Rackmount (original
version), SansAmp Bass DI, Behringer Denoiser SNR 202,
Hughes AK-100 Sound Retrieval System, (2) Custom Tube
Headphone Amplifiers
Monitors
- ATC SCM-50 (soffit mounted), (2) 210 BagEnd Subwoofers (soffit mounted), with ELF-1 processor (driven by Hafler transnova 9505 amp), Tannoy NFM-8 DMT (driven by Jeff Rowland model one amp, , Yamaha NS-10M, Jackson AU-6, Fostex
RM-780, Minimus 7, Celestion SR3
Headphones
- Joseph Grado HP-1000 Signature Series, Joseph Grado HP-1 Signature Series, Grado Labs SR325 Prestige Series, Sennheiser HD430, (2) Sennheiser K240, (3) Sennheiser HD25
SP, Sony MDR V-700 DJ, Sony MDR 7506, (5) Fostex T-20
Amplifiers
- Jeff Rowland Design Group Model-1, Ashley FET-500
(upgraded by Grace Design), Hafler TransNova 9505, Peavey M-2600 (upgraded),
Harmon Kardon 6500 (2), Walter Woods M1-100 bass amp,
Macintosh 40 Tube Amp (reverb chamber), Dynaco Mark III
Tube Amp Cable (mic & line) extensive use of Cardas,
Monster, Mogami, MIT (Tannoy monitor speakers) bi-wired with
Audio Quest Midnight II
Other Equipment
- 60 volt to ground balanced AC Transformer provides
clean power to all audio equipment, Xentek Extreme
Isolation Transformer, copy machine, fax machine
We can usually provide you with any specific requests.
Click here
to email us for more information,
or proceed to the contacts
page.
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